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After the media gets transcoded, the clips in the project point to these transcoded copies of the files. The filename path is the same as the Primary Destination option available in Settings, and the format specifies the chosen preset. Transcoding can be used to transcode original camera footage to a specific format used within a post-production facility.

Transcode - You can transcode the media to a new format in a new location.

After the media has finished copying, the clips in the project point to these copies of the files. The Primary Destination option available in the Settings transfer path is the same as the Primary Destination option available in Settings. Copying is typically used to transfer camera footage from removable media onto your local hard drive.

Copy - You can copy the media to a new location.

Using the Source Monitor and Program MonitorĬhoose one of the following ingest settings:.

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Troubleshoot issues related to playback and performance in Premiere Pro.How do I manage the Media Cache in Premiere Pro?.Green and pink video in Premiere Pro or Premiere Rush.Check if your system is compatible with Premiere Pro.Improving Performance and Troubleshooting.Best Practices: Working with native formats.Best Practices: Learning from broadcast production.

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Consolidate, transcode, and archive projects.Archive, restore, or delete Team Projects.Share and manage changes with Team Project collaborators.Best Practices: Working with Productions.How clips work across projects in a Production.Use Frame.io with Premiere Pro and After Effects.

Collaboration: Frame.io, Productions, and Team Projects.

Exporting projects for other applications.

Exporting for the Web and mobile devices.

Using HSL Secondary controls in the Lumetri Color panel.

Adjust color using RGB and Hue Saturation Curves.

Get creative with color using Lumetri looks.

Overview: Color workflows in Premiere Pro.

Compositing, alpha channels, and adjusting clip opacity.

Viewing and adjusting effects and keyframes.

Use Motion effect to edit and animate clips.

Adding, navigating, and setting keyframes.

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Upgrade Legacy titles to Source Graphics.

Retiring the Legacy Titler in Premiere Pro | FAQ.

Best Practices: Faster graphics workflows.

Use data-driven Motion Graphics templates.

Replace images or videos in Motion Graphics templates.

Use Motion Graphics templates for titles.

Add Responsive Design features to your graphics.

Overview of the Essential Graphics panel.

Automatically reframe video for different social media channels.

Overview of video effects and transitions.

Set up and use Head Mounted Display for immersive video in Premiere Pro.

Measure audio using the Loudness Radar effect.

Advanced Audio - Submixes, downmixing, and routing.

Monitor clip volume and pan using Audio Clip Mixer.

Edit, repair, and improve audio using Essential Sound panel.

Synchronizing audio and video with Merge Clips.

Edit from sequences loaded into the Source Monitor.

Find, select, and group clips in a sequence.

Importing XML project files from Final Cut Pro 7 and Final Cut Pro X.

Importing AAF project files from Avid Media Composer.

Setting up your system for HD, DV, or HDV capture.

Use Premiere Pro in a dual-monitor setup.

FAQ | Import and export in Premiere Pro.

Best Practices: Create your own project templates.

Open and edit Premiere Rush projects in Premiere Pro.

Backward compatibility of Premiere Pro projects.

GPU Accelerated Rendering & Hardware Encoding/Decoding.

Hardware and operating system requirements.